MAXI Meraki reworks Monolink’s ‘In My Place’ — key details
MAXI Meraki reworks Monolink’s ‘In My Place’
Belgian producer MAXI MERAKI has delivered a dancefloor-focused remix of Monolink's "In My Place," released via Embassy One. The rework transforms the album standout from The Beauty Of It All—originally co-created spontaneously with producer Toby Siebert—into a club tool armed with rolling percussion, dynamic basslines, and wide melodic phrasing.
From Emotional Core to Peak-Time Tool
While preserving the track's intimate resonance, MAXI MERAKI layers cinematic grooves suited for extended sets. The remix arrives as the Brussels-based artist gains traction with recent support from Jamie Jones, Adriatique, and BBC Radio 1, plus a fresh signing to Creative Artists Agency for global expansion. Previous releases on Abracadabra, Get Physical, and ARTBAT's imprint underpin his shift from independent singles to high-profile label collaborations.
Key Details: Belgian Producer Transforms Album Track for Embassy One
Brussels-based producer MAXI MERAKI (Maxim Defrancq) released his remix of Monolink's 'In My Place' on December 24 via Embassy One. The rework transforms the album track—originally co-created spontaneously with Toby Siebert for The Beauty Of It All—into a club-ready cut featuring rolling percussion, dynamic basslines, and wide melodic phrasing that preserve the original's emotional core while amplifying dancefloor energy.
Rising Profile and Agency Backing
The release underscores MAXI MERAKI's momentum since his 2019 debut. With tracks on Abracadabra, Get Physical, and ARTBAT, plus support from Jamie Jones, Adriatique, Keinemusik, and Pete Tong, he recently signed with Creative Artists Agency (CAA) for global expansion. The Monolink collaboration signals his evolution from chart placements to high-profile label remixes.
Why This Remix Signals MAXI MERAKI's Leap to Global Stages
This remix arrives as MAXI MERAKI transitions from independent momentum to institutional backing. The Brussels-based producer recently signed with Creative Artists Agency, positioning him for festival headliners and international tours—a trajectory few Belgian melodic house artists navigate before their sixth year.
From Streaming Success to Label Showcases
Embassy One's December 24 release pairs MAXI MERAKI with Monolink, whose album The Beauty Of It All established crossover appeal between indie electronica and club circuits. The remix retains the original's vocal intimacy while layering rolling percussion and wider melodic phrasing, designed for peak-time sets rather than streaming playlists.
Support from Solomun, Keinemusik, and BBC Radio 1 had already elevated MAXI MERAKI's profile on Abracadabra and ARTBAT imprints. This commission signals trust from a major label ecosystem—remixing established catalog rather than chasing viral moments—while CAA representation opens North American and European festival slots typically reserved for veteran acts.
How the Remix Balances Emotion with Club Energy
Percussion Meets Poignancy
MAXI Meraki threads a difficult needle: amplifying Monolink's introspective vocal—born from a spontaneous studio session with producer Toby Siebert—while layering rolling percussion and dynamic basslines that command attention on club systems. The remix stretches the original's melodic phrasing wider, building tension through gradual shifts rather than drops, so dancefloors stay immersed without sacrificing the track's emotional core.
This approach reflects Meraki's signature aesthetic—intimate yet expansive, a balance that earned him support from Keinemusik, Solomun, and Pete Tong. Where 'In My Place' once served as an album centrepiece, the remix recontextualizes it as peak-time material, proving cinematic depth and club energy need not compete.
